Nicholas O'Brien: The Four Tools is a new series of 3D animations addressing labor, technology, and personal history. In each animation, artist Nicholas O'Brien portrays a single everyday tool: a broom, an eraser, a coat rack, and a church key. Narrated in the artist’s own voice, the animations reflect and playfully speculate on moments when these tools have intersected with his life. His biographical reminiscences of personal encounters with each tool gradually evolve into musings on the nature of tools and their larger meanings.
O'Brien shows that in addition to doing manual tasks for which they were designed, tools also "operate" symbolically. They are not only mechanical devices, but metaphorical devices as well. Tools help us interact with our physical environment, and they aid our understanding of the world by lending meaning to our actions. For example, in As Much as We Sweep, the broom attempts to stave of entropy, while in For the Faithful, the church key opens up worlds of reprieve. Likewise, the coat rack marks sociality in hospitality and departure in Where to Hang your Hat, while, in Accepting the Essential Errors, the eraser accommodates human error by providing correction and forgiveness.
O'Brien's portraits of tools strike an uncanny balance by showing us virtual and actual versions of the object at the same time. Visually, the computer-generated images show each tool in the abstract, in pristine, white spaces, beyond time and human contact. But the soundtracks, filled with eccentricities of personal memory, embed the objects in a human world, exposed to the depletions of touch and time and the wonders of free association. The Four Tools offers mediations on these objects, exposing their hidden symbolism and everyday profundity.
Nicholas O'Brien is a net-based artist, curator, and writer. His work has exhibited in Mexico City, Berlin, London, Dublin, Italy, Prague, as well as throughout the US. He has been the recipient of a Turbulence Commission funded by the NEA and has curated exhibitions at the Museum of Contemporary Art in Chicago, 319 Scholes, and Eyebeam Center for Art and Technology. As well as making work, O’Brien writes critical essays as a contributor to Rhizome at the New Museum, SFAQ, and Artsy. His work has also appeared or been featured in ARTINFO, The Brooklyn Rail, DIS magazine, Frieze d/e, The Atlantic, and The New York Times. He currently lives in Brooklyn and is Assistant Professor in 3D Design and Game Development at Stevens Institute of Technology.
Nicholas O'Brien: The Four Tools is curated by Katherine Behar, Assistant Professor in the Department of Fine and Performing Arts in the Weissman School of Arts and Sciences at Baruch College. The exhibition is made possible by support from the Baruch Computing and Technology Center (BCTC) and the Newman Library.
All images appear courtesy of the artist.
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