INERTIA takes a more introspective approach, exploring themes of
journeys, process, chronology, psychology, and perception. Through
a lens of documentary, animation, and visual collage, the artists
in this section examine the ways in which our subjective
experiences intertwine with our individual ecosystems to create
our understanding of ourselves. The challenges and opportunities
that arise from navigating the complexities of existence within
these works gives agency to both creator and viewer.
Colors
Le Ping Chen
Rebirth
Fei Fei Zheng
My Past in Bangladesh's Future
Ishraq Khan
Why (me)
Melissa Vo
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Colors
Le Ping Chen
Le Ping Chen's artistic style is characterized by strong
shapes, vibrant colors, and subtle movements. Chen's works are
playful, stimulating, and constantly changing, as though they
are alive and responding to the viewer. Her latest project,
Color, is a short animation created with a graphics editor and
video editing. It explores color and emotional impact. She
seeks to create a visceral emotional experience that engages
the viewer in a way that is both stimulating and
thought-provoking. The animation starts with a blank scene,
gradually revealing a colorful world through various lenses.
There are many consecutive and interrelated transitions
between the scenes, which show the progress from colorless to
colorful. Chen uses many color schemes that go against reality
on the screen, by playing with contrasting colors to give a
strong impression of the scene. The background music in the
animation is dubbed according to the objects appearing on the
screen. A piece of slow piano music is the main tone during
the entire video. However, the music style changes according
to the tone of the scenes.
Through music and visuals, Chen aims to evoke emotional
responses from viewers and encourages them to think about
color vision emotions. Since the animation effect is abstract,
a high degree of freedom is given to viewers to associate
their feelings with the animation display result. Overall, Le
Ping Chen’s work is irresistibly alluring as she encourages
connection and emotion through abstract shapes and colors.
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Rebirth
Fei Fei Zheng
Rebirth by Feifei Zheng, is a story-based video that acts as a
visual map of a person with depression. Her influence came
from growing up in a Chinese family where she felt that most
Chinese families are not used to showing love and care
directly. Many Chinese parents think that someone having
depression means they're too fragile or it's pretend. As a
medical assistant, she often has to ask the patient several
diagnostic questions: Does the patient have depression? Is the
patient often feeling upset? Through the answers she receives,
she knows firsthand how serious depression is in society.
The work illustrates the process of a depressed mind and the
loneliness, anxiety, and hopelessness one can face when they
are going through a corrupted episode. On the other end of the
spectrum, we have the community, friends, and family connected
to those suffering that can help them with support and love.
Zheng uses monotone colors to create a darkened world and
colorful shades to symbolize a world with love and happiness.
She also uses audio to differentiate the psychological change
of a person going from pessimism to optimism.
Rebirth's main purpose is to give people an understanding of
the depression world. Instead of criticizing them, we should
give those with depression more love and tolerance, because
they are just in a stage where they see the world differently
from others. Everyone has a stage where they get very down and
emotional, and confused about life, but not everyone gets love
and care.
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My Past in Bangladesh's Future
Ishraq Khan
My Past in Bangladesh’s Future is a video that showcases
Ruppur Nuclear Power Plant in the Pabna District in
combination with memories of Khan’s childhood. The project
aims to juxtapose these memories with the current power plant
project, highlighting the potential impact of the project on
the community. He utilizes childhood photos, found media, and
Google Earth to create an engaging and educational experience
for the audience. By incorporating personal stories and
images, the project seeks to humanize the issue of energy
access and raise awareness about the challenges faced by
communities like Khan’s. The project is a thought-provoking
commentary on the impact of industrialization and
modernization on rural communities in Bangladesh. Through this
work, Khan hopes to inspire audiences to think critically
about the role of reliable energy in Bangladesh and to
advocate for more sustainable and equitable solutions.
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Why (me)
Melissa Vo
Why (me) is a three-minute visual collage created by Melissa
Vo that explores the concept of loneliness through the lens of
an avatar. The project aims to capture the inner turmoil,
struggle, and growth of a person who battles with the feeling
of loneliness and abandonment. Despite being surrounded by
others, the individual cannot help but still feel lonely. This
work begs the question, will community and friendship bring
relief to the seemingly never ending battle, or is loneliness
an inevitability?
Through found footage, collage, repetition, and contrast,
Melissa hopes to depict the inner battle her avatar is
experiencing. She aims to provide insight into the complexity
of navigating depression and anxiety, as well as raise
awareness about the importance of self-acceptance and growth.